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Who can forget the over-the-top, white-on-white, high-gloss interiors through which Fred Astaire danced in Top Hat? The modernist high-rise architecture, inspired by the work of Frank Lloyd Wright, in the adaptation of Ayn Rand's The Fountainhead? The lavish, opulent drawing rooms of Martin Scorsese's The Age of Innocence? Through the use of film design—called both art direction and production design in the film industry—movies can transport us to new worlds of luxury, highlight the ornament of the everyday, offer a vision of the future, or evoke the realities of a distant era. In Designs on Film, journalist and interior designer Cathy Whitlock illuminates the often undercelebrated role of the production designer in the creation of the most memorable moments in film history. Through a lush collection of rare archival photographs, Whitlock narrates the evolving story of art direction over the course of a century—from the massive Roman architecture of Ben-Hur to the infamous Dakota apartment in Rosemary's Baby to the digital CGI wonders of Avatar's Pandora.
Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Whitlock delves into the detailed process of how sets are imagined, drawn, built, and decorated. Designs on Film is the must-have look book for film lovers, movie buffs, and anyone looking to draw interior design inspiration from the constructions and confections of Hollywood. Whitlock lifts the curtain on movie magic and celebrates the many ways in which art direction and set design allow us to lose ourselves in the diverse worlds showcased on the big screen.
- Sales Rank: #302120 in eBooks
- Published on: 2013-02-05
- Released on: 2013-02-05
- Format: Kindle eBook
Review
“[Designs on Film] traces the art of building pretend worlds. Starting back in the pre-talkie years, and moving through Hollywood’s golden age and the epic-crazy ‘60s, right up to contemporary Hollywood, the book is packed with insider tidbits about the wildly inventive—and improvisational—business of movie-making.” (Wall Street Journal)
“Whitlock makes a major contribution to movie literature by saluting undersung production designers, set decorators and art directors.” (Los Angeles Times)
“An amazing glimpse into art direction.” (The New Yorker)
“This lush book of pictures and drawings showcases big-screen glamour over the decades, from the opulence of Cleopatra to the more modern majesty of Batman. (Entertainment Weekly)
“A compendium of images celebrating iconic interiors and architecture….[Whitlock] sifted through decades of archival photographs to assemble this rare glimpse into the world of Hollywood art direction and set design. ” (Dwell)
From the Back Cover
Who can forget the over-the-top, white-on-white, high-gloss interiors through which Fred Astaire danced in Top Hat? The modernist high-rise architecture, inspired by the work of Frank Lloyd Wright, in the adaptation of Ayn Rand's The Fountainhead? The lavish, opulent drawing rooms of Martin Scorsese's The Age of Innocence? Through the use of film design—called both art direction and production design in the film industry—movies can transport us to new worlds of luxury, highlight the ornament of the everyday, offer a vision of the future, or evoke the realities of a distant era. In Designs on Film, journalist and interior designer Cathy Whitlock illuminates the often undercelebrated role of the production designer in the creation of the most memorable moments in film history. Through a lush collection of rare archival photographs, Whitlock narrates the evolving story of art direction over the course of a century—from the massive Roman architecture of Ben-Hur to the infamous Dakota apartment in Rosemary's Baby to the digital CGI wonders of Avatar's Pandora.
Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Whitlock delves into the detailed process of how sets are imagined, drawn, built, and decorated. Designs on Film is the must-have look book for film lovers, movie buffs, and anyone looking to draw interior design inspiration from the constructions and confections of Hollywood. Whitlock lifts the curtain on movie magic and celebrates the many ways in which art direction and set design allow us to lose ourselves in the diverse worlds showcased on the big screen.
About the Author
Cathy Whitlock is an interior designer, journalist, and the author ofRe-de-sign. She is a contributing writer for Traditional Home and The Huffington Post and her design, film, lifestyle, and celebrity profiles have appeared in American Airlines Celebrated Living, Architectural Digest, Glamour (UK), and Veranda magazine, among others. Her blog, Cinema Style, chronicles the world of art direction in film. She lives in Nashville, Tennessee.
The Art Directors Guild is the successor to several organizations, the earliest formed in 1924 in Hollywood. The Guild is both a professional society and a labor organization, recognized as IATSE Local 800. Its 2,000 members practice the art-crafts of: production design, art direction, illustration, set design, model making, graphic design, matte art, scenic art, and title art. Thomas A. Walsh, a narrative designer for film, television, and the Broadway stage, has served as the Guild's president since 2002.
Most helpful customer reviews
34 of 35 people found the following review helpful.
Splendid, with exceptions
By Snort
The product copy above does not do justice to this splendid and sumptuous doorstopper on Hollywood art direction. The photographs are the payoff here, literally hundreds of production stills detailing on-the-set constructions and activity. My eye tells me that I have not seen most of these photos before in other Hollywood books. I think the book would serve better if it cut off after the 1970s and included more on the silent era and 1930s when the concept of art direction in film was nurtured and flourished. The 80s are focused on special effects and much of the new millennium material look like nothing more than Town & Country layouts. Nonetheless, the bulk of the book will take the Golden Era Hollywood fan to another place and time in American history, creative and socially.
13 of 13 people found the following review helpful.
This lifts the curtain on movie magic
By Lnda Berry /Bella Linea
The introduction "pay no attention to the man behind the curtain" (from "The Wizard of Oz"), is the first inkling the reader has that a magical journey is in store. Besides archiving a treasure-trove of movie history spanning the last 100 years, this book is also a stunning tribute to interior design and set decoration. As breath-taking as these photo's are, and no doubt valuable because they're rare and/or never-before-published originals, the stories behind the stories are equally riveting, and a salute to Hollywood. Especially - as the author notes - "to its unsung hero's and heroines": the people behind the curtain who brought their talents to the silver screen for all of us to revel in. Following the yellow brick road in this must-own book will delight, enchant, and surprise reader's from all walks of life.
5 of 5 people found the following review helpful.
Lovely to look at, delightful to hold
By Cowboy Hank
This book is a fitting tribute to one of the most vital - and, too often, unexamined - elements of a film's community: production design and set decoration. Spanning all major genres and every decade since film's inception, Designs on Film reflects the author's obvious love of set design and a profound understanding of the craft's evolution. And the photos are stunning.
I was delighted to see the inclusion of William Cameron Menzies's and Vincent Korda's sets for Things to Come (1936), the long and accomplished careers of Robert Boyle and John DeCuir and the emergence of art deco as a major influence on the look of 1920s and 1930s cinema. (An added treat is a rather revealing photo of Bruce, the troublesome shark from Jaws, 1975.)
As with many chronicles of this sort, there are always things one would like to see that aren't included: the futuristic world for Just Imagine! (1930) springs to mind (though it is a godawful movie). But who cares when what is here tells the story beautifully, with each film's atmosphere freshly rendered and nicely documented.
Designs on Film is a great reference for the film buff and a terrific primer for the neophyte.
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